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Athens Biennale2018

10月26日から始まる第6回アテネビエンナーレにSaeborgも出展とパフォーマンスをしてきます。ギリシャはずっと行ってみたかった国なので楽しみです。

私が中学生の時にはまった少女漫画“アリーズ”はギリシャ神話をテーマにしたファンタジーで、ギリシャ神話は改ざんされている!という内容の少女漫画でした。漫画に登場した場所に行ける!聖地巡礼したいです。

Athens_Images_005_Hv2HK8n_jpeg_730x476_q95_crop-smart

May6. | 0:00

Athens Biennale 2018: ANTI

Athens Biennale launches its 6th edition on October 26, 2018, under the title ANTI.

The 6th Athens Biennale flirts with the term, the attitude, the (im)possibility of ANTI, asking: How does opposition play out today? What kind of identities does it forge? ANTI deals with phenomena of normalization of opposition and non-conformity, from politics to web culture, from videogames to Netflix, from Žižek to Rihanna.

 

Fall 2018 will mark a decade of crisis in which Athens has been an incubator of revolt, opposition, reaction and regression. In 2017, the Athens Biennale organized a series of performative events under the title Waiting for the Barbarians, and declared a strategic postponing of AB6 in a year of “Active Waiting”. “Active Waiting” was intended as a playful exercise on the political imagination of large-scale periodic exhibitions, and functioned as a prelude to ANTI.

 

ANTI, curated by Stefanie Hessler, Kostis Stafylakis and Poka-Yio, considers attitudes of opposition, non-conformity and marginality. Instead of assuming a position of critical detachment, ANTI introduces us to the pleasure and discomfort embodied in both revolt and reaction. It does not seek to merely outline such fantasies; we cannot fight reactionary culture and politics in the “post-truth” era with yet another ANTI. To deal with ANTI means to oscillate between power and revolt by internalizing, reenacting or cannibalizing both. As such, AB6 is designed as a distilled, intensified reality — a constellation of functional spaces that invites visitors to indulge in ANTI. These devices assume forms of actual domains shaping our lives today: the gym, the office, the tattoo studio, the dating website, the migration office, the shopping mall, the nightclub, the church, the dark room. The Athens Biennale aims to instigate the experience of ambiguity, polarity and contrariness inherent in ANTI by lubricating the absurd personification of such currents. The exhibition, here, becomes a purgatory without a purge.

 

More than 100 international artists, media creators and theorists will participate in ANTI. The exhibition venues and full participants’ list will be announced soon.

Cabaret Negatif is programmed by FYTA with Nayia Yiakoumaki and will be running throughout the duration of ANTI.

Two limited-edition Crypto Certificates by Ed Fornieles Studios will be sold to help fund the production of a large-scale LARP The Group as well as the Athens Biennale itself. Collectors of these limited edition prints will be able to share future profits generated by the sale of work developed through The Group performance.

The 6th Athens Biennale is co-financed by the Hellenic Republic and the European Union through the Regional Operational Programme of “Attica 2014–2020” in the framework of NSRF.

QP1
photo:Institute of Contemporary Art. University of Pennsylvania /ICA Philadelphia

Athens Biennale launches its 6th edition on October 26, 2018, under the title ANTI.

Curated by: Stefanie Hessler, Kostis Stafylakis, Poka-Yio

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助成:公益財団法人セゾン文化財団

Supported by The Saison Foundation

 

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サエボーグ(saeborg)はラテックス製の着ぐるみ(スーツ)を自作し、自ら装着するパフォーマンスを展開するアーティストです。主な展覧会に岡本太郎現代芸術賞作家特別展示「HISSS」(岡本太郎記念館、東京、2015)、「Slaughterhouse-13」(Joshibi galleria nike、東京、2015)、「のけものアニマルーきみといきる。」(はじまりの美術館、福島、2015)、日本財団アールブリュット合同企画展「TURN/陸から海へ」(鞆の津ミュージアム、広島、2015)、「第17回岡本太郎現代芸術賞展」(川崎市岡本太郎美術館、神奈川、2014)にて岡本敏子賞受賞。

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